备注： 类型：韩国剧剧情,言情
地区/年代：日本/2020
主演：花守由美里,原纱友里,丰崎爱生,东山奈央,高桥李依,大塚明夫
简介：野外社团，启程出发！野外活动社团，简称野外社团。部员仅有3人。校舍坐落于山梨县一角的本栖高校，位于学校一角的部室大楼，将如同「鳗鱼的床铺」一样狭长的大楼一角当做部室使用，慢悠悠的户外社团。各务原抚子今天也在狭窄的部室里打发时间，此时大垣千明和犬山葵突然宣告「现在就要出门旅行啰！」。带着不知所措的抚子，野外社团成员在全山梨东奔西走。尽情品味各地名物而展开的女高中生奇异之旅，旅途的终点在哪里！？
备注： 类型：韩国剧剧情,言情
地区/年代：法国/1959
主演：内详
简介：Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
备注： 类型：韩国剧剧情,言情
地区/年代：法国/2020
主演：尼古拉·阿内尔卡,Franck,Nataf
简介：难以捉摸、无可匹敌，还是两者兼具？这部纪录片深入探讨了知名法国足球运动员尼古拉·阿内尔卡颇具争议的影响。
备注： 类型：韩国剧剧情,言情
地区/年代：美国/2017
主演：凯文·哈特,托马斯·米德蒂奇,艾德·赫尔姆斯,尼克·克罗尔,乔丹·皮尔
简介：两个四年级学生乔治(凯文·哈特配音)和哈罗德(托马斯·米德蒂奇配音)，通过催眠术将霸道校长(艾迪·赫尔姆斯配音)变成了内裤队长。
备注： 类型：韩国剧剧情,言情
地区/年代：中国大陆/2004
主演：方青卓,丁宵汉,倪虹洁,马珊娜,刘惠,张曦文,李连义,李烨,李小强
简介：高水平是个充满激情的时尚青年，干过网络编辑、电脑红娘等多种时髦职业，这回碰上了靠餐饮起家的小老板曲有财。曲有财长得肠肥脑满，却是个内心细腻，从小热爱艺术的人。为了圆他儿时的一个梦想，曲有财开办了有才文化传播有限公司。高水平热情加盟到这个公司任总经理，准备大干一番事业。曲有财虽然欣赏高水平的才干，但对高水平多少还是有点不放心，于是他委派他在工厂工作时的同事赵大莲到公司担任办公室主任兼财务总监兼后勤采购兼厨师。赵大莲原来是工厂里的文艺骨干，泼辣热心，心直口快，还是个勇于无私奉献的人。赵大莲对谁都古道热肠，热情有加，她既是曲有财的心腹，又关心全公司人的冷暖。到了公司之后，竟然发现公司总经理高水平是她的远房亲戚。赵大莲在经营理念上跟高水平有很多冲突。程素素原是三峡库区一个小旅社的服务员，来京闯荡成了文艺北漂。程素素偶遇曲有财，成了有才文化公司的第一位签约演员。素素天生丽质，性格单纯，但她的基本素质离专业演员实在是太远了。作家韩如雪是高水平原来的朋友，受高水平的鼓动，到公司来担当影视编剧。让亿万人看见她的作品，成为韩如雪的最高理想。但她没有想到，社会是如此得多变，潮流是如此得不可捉摸。一个本来是副导演的罗丁，也被有才公司小材大用，聘为导演，有才公司就这么热热闹闹开张了。公司的对门，是亮点广告公司，广告公司的女秘书叶子，成了有才公司的常客。她喜欢高水平，于是无奈接受高水平的安排，接纳程素素成为她的合租房客。叶子与素素两人在生活中大异其趣。经常到有才公司来的还有，亮点广告公司的老板赵建国，写字楼的值班老大爷傅大爷，赵建国的司机小强，以及一些记者等等。有才文化传播公司开了张后，开办演员培训班，策划各种题材的文学本子，包装明星，寻找各种投资的机会，忙得不亦乐乎。但高水平其人空有一腔热情，在这过程中可没少吃亏少上当，阴差阳错的事经历得太多了。最后大家渐渐明白，任何成功都不是白来的。大家开始塌塌实实地做一个生活中实实在在的人。铅华洗净，每个人逐渐走向成功。《圈内圈外》就是讲的这样一群有理想，有追求，在生活中不怕摔打，热情向上的小人物。他们经历很多挫折，但痴心不改，最终各人都成就自己，一步步走向成功。
备注： 类型：韩国剧剧情,言情
地区/年代：美国/2020
主演：内详
简介：Christmas gets weird - really weird - after George and Harold go back in time to change up a few of their beloved holiday's traditions.
备注： 类型：韩国剧剧情,言情
地区/年代：日本/2020
主演：竹内凉真,小池荣子,
简介： 突然撮影が休みになった俳優の1日を、気鋭監督・脚本家たちが描く異色ドラマの第2弾。 人気俳優・竹内涼真が自分で自分を演じる8つのパラレルストーリー。
备注： 类型：韩国剧剧情,言情
地区/年代：中国大陆/2009
主演：孙淳,钟汉良,孙菲菲,樊志起,鲍大志,张大礼,杜雨露,徐箭,叶祖新,狄剑青,徐敏,郑天庸
简介：1949年初，平津战役以北平的和平解放圆满落幕，国民党的势力已成强弩之末，颓势立现。而我军乘胜追击，准备对盘踞江南的国民党残余势力发动渡江战役。镇守江南古城临江的城防司令陈怀远（孙淳饰），是左右局势的一枚重要棋子。在这小小的古城内，情报站和间谍战连番上演。桂系白崇禧派来特工李曼娥（蔡文艳饰）秘密潜入，时刻拉拢陈怀远；保密局头目毛人凤增派出手下的王牌特工“七月蜂”张弛（樊志起饰）监视陈怀远，同时牵制桂系的力量。江北方面，中共也接连派出地下党积极开展策反工作。家国大义之下，爱怨情仇的故事也接连上演……
备注： 类型：韩国剧剧情,言情
地区/年代：日本/2021
主演：藤原龙也,真木阳子,山田裕贵,泉泽祐希,音尾琢真,石井正则,须贺健太,峰村理惠,山口纱弥加,高桥克实,铃木梨央,宫世琉弥,吉柳咲良,中川翼,铃木悠仁,池田优斗,田中奏生,田畑志真,水野哲志,荒木飞羽,丰岛花,長澤樹,山時聡真
简介：不管是老师还是学生，只要犯事，都会毫不留情地逮捕！？作为警视厅搜查一课精英刑警的嶋田隆平，为什么自愿成为校内警察呢？社交网络问题、偷拍，甚至孕妇骚扰等，他将用超乎想象的方法来应对学校里各种各样的问题。嶋田的目的以及赤岭中学真正的黑暗也渐渐变得清晰起来。
备注： 类型：韩国剧剧情,言情
地区/年代：美国/2017
主演：凯文·哈特,托马斯·米德蒂奇,艾德·赫尔姆斯,尼克·克罗尔,乔丹·皮尔,克里斯汀·沙尔,迪迪·雷斯彻,布莱恩·波塞恩,大卫·索伦,梅尔·罗德里格斯,苏珊·菲泽,琳娜·泽格,蒂凡妮·劳伦·本尼克,詹姆斯·瑞恩,莱斯利·大卫·贝克,舒格·林·彼尔德,莱斯利·尼科尔,克里斯·米勒,可可·索伦,瑞恩·多尔西
简介：两个四年级学生乔治(凯文·哈特配音)和哈罗德(托马斯·米德蒂奇配音)，通过催眠术将霸道校长(艾迪·赫尔姆斯配音)变成了内裤队长。
